Pickamania in Silver City, NM: Bluegrass Music Grows Up

Steve Riley and the Mamou Playboys

My first experience with a bluegrass festival was way back in 1974, together with my buddy Emmett Collier on our Grand Tour of the West, and my first true foray into the world of backpacking and independent travel, cutting off those ties with Mom and Dad and the girl I might've left behind, if I'd had one. I remember the dates distinctly because I left the day I turned twenty. I didn't return 'home' for over six months. Hey, I was hungry. And it was the holiday season. The rest is history.

SHARQ TARONALARI Music Fest in Samarkand: Great Music & People, Too Many Babies & Police

I guess I’m a sucker for spectacle.  I’ve been known to watch the Olympics opening ceremonies (just leave out the smoke machines, please), and I’ve traveled around the world more than once with music and cultural events in mind and on the itinerary, if not exactly the destination per se.  That includes WOMAD’s and Womexes, and multiple SXSW’s, and music and cultural festivals in cities as diverse as Livingstone-Zambia, Pyongyang-North Korea, and Zanzibar.  

Sharq Taronalari is not the kind of music festival where you top up on your favorite intoxicant, then boogie till the sun comes up with music from all over the world.  No, this is more like music carefully curated from state-sponsored entities in Uzbekistan in coordination with state-sponsored agencies in foreign countries to provide representative selections from representative groups to showcase the world’s ethnic diversity, sort of an Olympics of world music, without the competitive edginess.
 
No, this is not WOMAD.  But then again, it’s not North Korea’s Arirang Mass Games, either, a carefully orchestrated propaganda spectacle that would rival or surpass the opening to the Beijing Olympics in showmanship, but still a carefully-staged propaganda event.  Still, here you are expected to sit down.  That’s one of the only problems really, not that kids threaten to turn the venue into their own private playground, but that the Soviet-era authorities seem overly concerned to try and stop it, acting as truant officers to control the miscreants, to the point of limiting access to the festival’s entry.     
 

The End is Near: Get it While the Getting’s Good…

It had to happen sooner or later, of course, that the summer would end, and that life would resume its typical humdrum course of ‘normalcy,’ as if summer were more of a carnival show than a respite, more of a vocation than a vacation, since huge sums are made and squandered in the business end of summer—traveling, resting, relaxing, recreating, and procreating, or working at it, anyway. 

Hollywood Babel On: Summer Winding Down? No, It’s Just Getting Hotter…

It is the best of times; it is the worst of times.  It is Rome before the Fall.  It is the last cabaret in Berlin.  The Emperor sips tea while the opposition join forces at the gate.  Still the violins play on while the Titanic sinks.  Nothing stops the music.  Nothing silences the singing.  Nothing can suppress the art that decorates our lives and simultaneously gives it meaning.  That’s the key to our survival.  That’s our tiny window in the upper corner of a stifling prison cell, a little patch of blue and a little ray of hope in the darkest and direst of situations.  In other words—and I quote—“loosen your butt screws” and dance a little.  The Fall will come later.  For now it’s still summer.

Hollywood Babel On: Diaspora Blues

Days like today are what you live for if you’re a fan of world music and/or a reluctant Angeleno, hoping to justify your existence, or at least the higher rents of LA, vis a vis the Golden Triangle (that’s northern Thailand I’m talking about, not the greater Beaumont area).  How often, on some random Thursday, do you get your choice of the Sierra Leone Refugee All-Stars, Bombino, or the Garifuna Collective?  And this isn’t even the weekend ferchrissakes!  And they’re all for free, unless you count parking fees.  That may apply most seriously to the Sierra Leone guys, who’re playing out at the Skirball, difficult of access by public trans.  Only problem there is the security check, reminiscent of the El Al counter in Munich.  Better eat those brownies first, just to be safe.  If you don’t know, they’re war refugees from Sierra Leone—Britain’s equivalent of Liberia—who chose to make the best of a bad situation, and who, over the last decade, have produced some of the world’s best music.

HOLLY WOOD BABEL: Peruano, Africano, Colombiano, Angeleno… Novalima, guey

Did you know that Peru had Africans?  If you’ve heard (of) Susana Baca, then you did; or should, anyway.  They’ve been there since the early days of Spanish colonialism, though never in huge numbers, apparently.  Still it doesn’t exactly fit the image of an Andean nation with an Amerindian culture defined by its high degree of advancement and largely unassimilated entrance into the modern age.  That’s the point, that the races in Peru never really mixed, natives confined to the Cordillera, and whites content to stay along the coasts where they—and their African slaves—landed.

HOLLYWOOD BABEL: Speaking in Tongues—Ethiopian, Arabic, Castellano, Anglo

If you saw the movie “La Bamba” many years ago, and hopefully paid attention to the Los Lobos soundtrack, then you know there’s a folk version of that song that predates the pop-rock version that Richie Valens made famous, and in many ways is superior to it.  Did you know that it goes on forever?  My favorite verse is the one that begins: “Para subir al cielo…”, reminding me of the Spanish title of the Bunuel film “Mexican Bus Ride,” se necesita,  una grande escalera…” and so on into infinity.  I think at some point Jarocho son masters just make up their own verses and let the Homies decide what sticks.  And now Las Cafeteras does their own East Los Angelized version that just happens to rock, not suck.  Got politics? 

The best part of living in LA (‘Hollywood’ for short) for me is that it is at the crossroads of so many immigrant cultures.  With the possible exception of Nueva York, I doubt that any other American city even comes close.  Miami?  Naah.  Chicago?  No way.  Even my favorite city San Francisco really only specializes in a few Asians in geographical symmetry and a few Hispanics in cultural sympathy.

Summer Heats Up in LA

How’s this global warming working out for you?  If it gets any hotter, I might have to go buy some beachfront property in Point Barrow, and charge tolls from oil tankers looking for a northwest passage straight over the North Pole.  I know some people like it like this, and most others would prefer to ignore global climate change rather than give up their petroleum-guzzling toys.  It’s an exciting time to be alive; I’ll give it that.  Fortunately, there is plenty of outdoor entertainment in the summer, though the cocktail waitresses can’t be too happy about that, can they?  

VIEUX ANEW: FARKA ME 2

“Hendrix of the Desert:” don’t you just love that name they try to hang on Vieux Farka Toure’, son of Ali, son of Ishmael and Mariam?  Yeah, about as much as I love PR rap in general, and ad copy in particular.  About as much as I love the attempt to fit Alex Cuba with the title “Hendrix of the North” or “Hendrix of Kootenay” or whatever it was, a few years ago.  The problem, in both cases, is that it’s just not accurate.  Alex Cuba’s pop guitar stylings are wonderful, but closer to Eddie Van Halen than those of His Majesty Hendrix.  And I dig Vieux, too, but he ain’t Hendrix; hey, he’s not even from the desert!  Hometown Niafunke is still the Sahel, not Sahara, last time I checked, and he obviously has sub-Saharan—not Semitic or Berber—physical characteristics, as the neighboring Tuareg do. 

Vaud and the Villains - How Do You Spell E-C-L-E-C-T-I-C?

The last thing I had in mind when I left my apartment last Saturday was to receive some musical epiphany at LA’s MacArthur Park… yes, THAT MacArthur Park.  I really wanted to go see Alex Cuba at Levitt Pavilion in Pasadena but just couldn’t talk myself into riding the metro for an hour and a half just to see a show probably not even that long and then ride the darn thing home again.  And I really like Alex Cuba, but you know what they say: “Time is money.”