HOLLY WOOD BABEL: Peruano, Africano, Colombiano, Angeleno… Novalima, guey

Did you know that Peru had Africans?  If you’ve heard (of) Susana Baca, then you did; or should, anyway.  They’ve been there since the early days of Spanish colonialism, though never in huge numbers, apparently.  Still it doesn’t exactly fit the image of an Andean nation with an Amerindian culture defined by its high degree of advancement and largely unassimilated entrance into the modern age.  That’s the point, that the races in Peru never really mixed, natives confined to the Cordillera, and whites content to stay along the coasts where they—and their African slaves—landed.

HOLLYWOOD BABEL: Speaking in Tongues—Ethiopian, Arabic, Castellano, Anglo

If you saw the movie “La Bamba” many years ago, and hopefully paid attention to the Los Lobos soundtrack, then you know there’s a folk version of that song that predates the pop-rock version that Richie Valens made famous, and in many ways is superior to it.  Did you know that it goes on forever?  My favorite verse is the one that begins: “Para subir al cielo…”, reminding me of the Spanish title of the Bunuel film “Mexican Bus Ride,” se necesita,  una grande escalera…” and so on into infinity.  I think at some point Jarocho son masters just make up their own verses and let the Homies decide what sticks.  And now Las Cafeteras does their own East Los Angelized version that just happens to rock, not suck.  Got politics? 

The best part of living in LA (‘Hollywood’ for short) for me is that it is at the crossroads of so many immigrant cultures.  With the possible exception of Nueva York, I doubt that any other American city even comes close.  Miami?  Naah.  Chicago?  No way.  Even my favorite city San Francisco really only specializes in a few Asians in geographical symmetry and a few Hispanics in cultural sympathy.

Summer Heats Up in LA

How’s this global warming working out for you?  If it gets any hotter, I might have to go buy some beachfront property in Point Barrow, and charge tolls from oil tankers looking for a northwest passage straight over the North Pole.  I know some people like it like this, and most others would prefer to ignore global climate change rather than give up their petroleum-guzzling toys.  It’s an exciting time to be alive; I’ll give it that.  Fortunately, there is plenty of outdoor entertainment in the summer, though the cocktail waitresses can’t be too happy about that, can they?  

VIEUX ANEW: FARKA ME 2

“Hendrix of the Desert:” don’t you just love that name they try to hang on Vieux Farka Toure’, son of Ali, son of Ishmael and Mariam?  Yeah, about as much as I love PR rap in general, and ad copy in particular.  About as much as I love the attempt to fit Alex Cuba with the title “Hendrix of the North” or “Hendrix of Kootenay” or whatever it was, a few years ago.  The problem, in both cases, is that it’s just not accurate.  Alex Cuba’s pop guitar stylings are wonderful, but closer to Eddie Van Halen than those of His Majesty Hendrix.  And I dig Vieux, too, but he ain’t Hendrix; hey, he’s not even from the desert!  Hometown Niafunke is still the Sahel, not Sahara, last time I checked, and he obviously has sub-Saharan—not Semitic or Berber—physical characteristics, as the neighboring Tuareg do. 

Vaud and the Villains - How Do You Spell E-C-L-E-C-T-I-C?

The last thing I had in mind when I left my apartment last Saturday was to receive some musical epiphany at LA’s MacArthur Park… yes, THAT MacArthur Park.  I really wanted to go see Alex Cuba at Levitt Pavilion in Pasadena but just couldn’t talk myself into riding the metro for an hour and a half just to see a show probably not even that long and then ride the darn thing home again.  And I really like Alex Cuba, but you know what they say: “Time is money.” 

It's That Time Again in LA: Let the Music Flow...

It’s that time again in LA—summer—and there’s so much good music for free that it almost makes the smog and traffic jams and lack of parking space worth it (BTW there’s a solution to the aforementioned problems: sell your car and ride public trans).  When I first arrived in LA five years ago from the Golden Triangle outback I went almost ape-shit crazy gorging on sights and sounds, as if you could just fill your belly like a big ol’ bear, then snooze it off for a season or two.  So that’s what I did.  But I think maybe it’s time to get back in the swing, especially since this may well be my last summer in LA, therefore time to fill up the esthetic tank. 

Here’s the best deals I can find, ALL FREE, highlights (in chronological order) looking like:

www.levittpavilionpasadena.org: Carmen Souza (tonight 6/20), Alex Cuba (6/22), Vieux Farka Toure’ (7/12), Dirty Dozen Brass Band (7/14), Bachaco (7/25), Jeffrey Broussard (8/1), Mia Doi Todd (8/21), Chicano Batman (8/10), LoCura (8/23), and Quetzal (8/24)… hijole… plus many more…

GREAT TRAVELS, GREAT WRITERS: Stephens & Leonowens

Have you ever noticed that the best travel writers never really considered themselves as such?  Look at anybody’s list of favorites and you’ll see names like Kerouac, Bowles, Matthiessen, etc. quite often, along with names like Theroux and Iyer, writers who certainly consider themselves travel writers, but not exclusively.  You’ll only rarely if ever see a guidebook writer.  But there is a historical tradition which goes back directly to Marco Polo and Ibn Battutah , and even Tacitus and Herodotus, before them. 

New Guide Shows Hostel Trend Coming to North America—Finally | PRLog

New Guide Shows Hostel Trend Coming to North America—Finally | PRLog

Голос кочевников : Dengue Fever Live in Ulan Ade, Buryatia, Siberia, Russia? Oh yeah, baby, right there, that’s good…

 

My glorious career as a music promoter lasted a total of one band (I count time in personalities, not days-months-years).  Let’s just say it wasn’t my cup of pu-erh.  And no, I’m not some rich kid who decided to hire a hip breakout band for my fancy birthday party.  I’m actually a half-way respected travel and world music journalist with a background of intensive and extensive travel, and dealings in folk art and world-based cottage industries. 

SIXTO RODRIGUEZ: A Tale of Three Continents… and the #MassMarketing of #BigBox #America

Primero, Segundo, Tercero, Cuarto, Quinto, and… and… Sixto, ahhhh…  And the sixth time was a charm (not that the first five weren’t), and Sixto Diaz (Jesus) Rodriguez came into this world on July 10, 1942, the sixth son of Mexican immigrants working in war-time Detroit, more than three years before atomic bombs would fall on Japan and twenty-five years before rockets would land men on the moon.  No one would have predicted that his life would have been easy, but no one would have predicted that it would turn out like it did, either.  It all started with his love of music and song and… words full of meaning.  In case you don’t know the story yet—though you likely will soon if all goes well at the Oscars Sunday night---it goes something like this: in 1967 he released his first single “I’ll Slip Away” on a small label, to general neglect, and in 1970 and 1971 he released two killer albums, “Cold Fact” and “Coming from Reality,” on a larger label, also to general neglect.  He was immediately dropped from the label, of course, and so he discontinued his musical career in favor of jobs generally revolving around the related acts of construction and demolition.  But an Australian company picked up the rights to his work because his stuff was selling a bit there.  He even toured Oz in 1979 and 1981 with Midnight Oil.  And that was that.  He remained philosophical, of course, so in 1981 he got a BA in philosophy; so did I.