Tuesday, September 22, 2009

“AGUA DEL POZO” by ALEX CUBA- More Pop, Hold the Salsa


He may wear an Afro and he may be Cuban, but Alex (Puentes) Cuba is definitely not Afro-Cuban, at least not his music… well, not much anyway. This is pure Latino-pop, Cuban style, gone north to British Columbia, Canada, for special seasoning. Latin music hasn’t seen pop hooks like this since Gloria Estefan or Ricky (who?) Martin, Shakira notwithstanding- or maybe notwithshaking, her own considerable hips. His lyricism, his romanticism, his optimism- and his pure pop hooks- are all imminently notable. Nelly Furtado took note, and booked him as a collaborator on her new Spanish-language album Mi Plan, title song cowritten with- you guessed it- Alex Cuba. Mae Furtado didn’t raise a fool for a daughter; this is a good career move for Nelly, deflecting anxieties over how to follow her previous smash hit album while moving on to that lucrative Shakira turf as an extension of her own more-adult-than-Britney-but-still-sexy-as-Hell middle ground. Don’t underestimate Canadian loyalty in her nurturing of Alex either. They’re both immigrants.

It’s obviously a good move for Alex Cuba, too. The man has got some commercial instincts, in addition to his considerable musical talents. The middle ground is obviously where mass popularity lives, by definition, and that’s the turf he claims on this album. It’s seems to be a shift he’s comfortable with also, away from strict Afro-Cuban music toward ballads and boleros and trova and… silly love songs. The first song on the album ‘Amor Infinito’ makes clear the intent- amor infinito… que siento contigo... que habla de mis sentimientos (‘the infinite love… that I feel with you… that speaks of my sentiments’) and weaves its way through the entire album.

Alex hasn’t left his Afro-Cuban roots totally behind, though, certainly not in the two songs co-written with his twin brother and sometime collaborator Adonis, the title song and Vampiro. Thought maybe 'Agua del Pozo' (‘Water from the Well’) would be reflective and existential or maybe something deep and meditative as if coming from the Dalai (‘deep sea’) Lama himself? Think again. It concerns itself with the usual Afro-Cuban obsessions of moving and shaking, butts not politics, ‘me gusta como te mueves… sacando el agua del pozo’ (‘I like the way you move it, taking water from the well’). So much for deep thought, but it DOES feature hot Santana-like guitar licks.
Vampiro’, with the help of some brassy riffs, flirts with the dark side a bit- esta noche quiero estar contigo, amarnos escondidos… ser vampiro de tu amor (‘Tonight I want to be with you, hidden away loving each other… being the vampire of your love’)- but not much. Most of Cuba’s lyrics are playful and dreamy- almost childishly optimistic and naïve- and affirm that ‘happy ending’ faith with little but symbolic intervention, like the dreamy light pop of ‘Pide Un Deseo’ (Make a Wish)- porque una estrella cae, porque puse mi arma en el cielo de vencer ella (‘because a star falls, because I shot it down just to get her’).

Even when Cuba tries to get mysterious and metaphysical as in ‘Fiesta de Religion’ his optimism and light smooth jazzy touches hardly miss a lick, talking about ‘donde se hablan los verdades’ (‘where the truths are spoken’), more credit than a lot of people would give religion, even Santeria. Ever the romantic, his faith lies more typically in love, as in the closing song “De Manera Que,” dame un poco de tu fe…hazlo de manera que… siento que no cambian los anos que hice mi amor (give me a little of your faith… so that… I don’t feel that the years are passing while I love you”).
About the only thing ‘wrong’ with the album is that it’s maybe a bit too long, and that’s a spurious complaint, one easily lived with, like too much of a good thing. The salsa-lite numbers sink in effortlessly, even if the slower numbers take an extra listen or two. All he really needs now is a big hit to carry him over the top, and whether he or Nelly or someone else sings it doesn’t really matter. There are half a dozen songs on "AGUA DEL POZO" that could potentially chart out on the Latin top 40, so it’s just a matter of time. 'Si Pero No' is maybe the best bet since it’s already hit the iTunes download charts and you don’t exactly need an MA in Spanish Lit to understand the indecisions of life and love.

I don’t think we’ll be talking about the ‘Kamloops Sound’ any time soon, but Alex Cuba has got a busy career ahead of him. The question is, “Are we ready?” The next question is, “Could he do it in English without losing that saborrrrr….?” Stay tuned… but first, give it a listen, "AGUA DEL POZO," and prepare to get hooked. Now if only the US and that other Cuba would settle their differences…






(Author’s note- Pardon any mis-translations, but I can only translate what I can hear, and we ‘journalists’ don’t get lyrics sheets. Sometimes the CD beta-versions we get don’t even have song titles! So I do the best I can. Just last week I finally heard the correct lyrics to ‘Smells Like Teen Spirit’ for the first time from Paul Anka’s version- though I think maybe my own lyrics were better. Still I think lyrics are important, however tentative or partial. I for one don’t believe that the final solution to the world’s- and world music’s- ‘language problem’ is ‘English Only.’ So I persevere. Tamashek anyone?

On another note, I’m including a free song download for the first time. If it’s hassle-free, then I hope to do it more, artist willing. Considering that I frequently blog up from remote corners of the world, ‘hassle-free’ is not always the operative concept. Lastly, thanks to those of you who follow my blog, especially those of you who let me know one way or another. This blog’s for you. Enjoy.)

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